There isn’t really any main-quest hand holding, no log of what you're doing next (though there is now an optional difficulty setting to change that), so stopping SHODAN means you actually have to explore, listen to audio logs, and figure out what plans the now-dead crew had cooked up.
It's basic design that holds up thirty years and a hefty visual update later, giving you a space to delve out that's hard to navigate by its nature and providing a very satisfying challenge to learn your way around.
System Shock is old school in the oldest-school way, with levels that are deliberately-designed mazes of interconnecting corridors, rooms, and locked gates. Figuring out the extent of her plans and then foiling them is what you do. If SHODAN's body is the giant Citadel space station, then you are a horrible little parasite killing her from the inside out.
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